



For Strawberry Moon, Fabienne Lasserre introduced ceramics as a new medium that grew out of her work with the West Village artist-run Ceramics Club. Dipping between figuration and abstraction, the material friction is inseparable from the contested definitions of gender and identity that run through Lasserre's practice.
Snake/Scribble/Squiggle 2 presents as improvisational and light, its hollowed ends alluding to instruments or tunnels, its curves conveying the forms of the title, and the array of glazes echoing Lasserre's signature patchwork surfaces of her sculptures.
Porcelain and glaze
This work can be hung on the wall (as pictured), or rested on a surface.
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Named by Algonquian tribes of the northeastern United States, the Strawberry Moon signals summer's wild strawberry harvest. The first full moon of June, it appears especially large as it rises on the horizon.
In this spirit of ripeness and transformation, Strawberry Moon brings together recent work by Christy Gast, Fabienne Lasserre, Halsey Rodman, and Molly Smith. Installed within a former dairy factory, the work ranges from large-scale sculptural installation to intimate watercolor paintings, exploring bodies, landscape, desire, and the scales of time.

Fabienne Lasserre reflects on her decades-long exploration of the boundaries between painting and sculpture, body and space, color and form. Rooted in feminist ethics, her work invites viewers to question binaries and engage with abstraction as a language of inclusion, embodiment, and emotional depth.