
In this three-person exhibition, Jamie Isenstein's work explores the boundaries between object and subject, juxtaposing humor and dread, phantasmagoria and banality. Employing funhouse mirrors, Isenstein stages pre-AI analog illusions that imagine unbridled bodily autonomy. Bodies become uncanny in her surreal photographs and playful clocks, while her video conjures a vaudevillian tango of disembodied limbs.
Jaime Isenstein’s (b. 1975, Portland, Oregon) work spans sculpture, video, performance, painting, and photography, considering perception, subjectivity and the slippery nature of animate and inanimate existence. Solo exhibitions include the Institute of Arts, New York University, Gluck50, Milan, Joseloff Gallery, Hartford Art School, Hartford, Connecticut (2017); Andrew Kreps, (2015); Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, (2015); and the Hammer Museum (2007), among others. Isenstein participated in the 2010 Liverpool Biennial, Palais de Toyko, Paris, and Greater New York, MoMA, PS1, New York. Her work is held in the permanent collections of the Whitney Museum of American Art, New York, and the Museum of Modern Art, New York.

Fabienne Lasserre makes boundary-blurring art, where painting meets sculpture and abstraction invites physical engagement. In her intimate Pitchables series, Lasserre celebrates materials, scale, and feminist themes.

Stephen Hendee explores virtual and physical architectures with a distinctive and luminous material vocabulary. Alluding to early internet aesthetics, climate change, and dystopian futures, Hendee offers a prescient meditation on our accelerating digital embrace.