


In Wood Sorrel, smaller and more intimate in scale, Rachael Catharine Anderson paints the low woodland plant that spreads across shaded forest floors, its heart-shaped leaves and delicate flowers held close to the ground. Working on wood panel, Anderson layers the plant over a marbled ground, creating depth, atmosphere, and an element of surprise.
Oil and marble dust on wood panel
Signed by the artist on reverse
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Rachael Catharine Anderson makes oil paintings that explore the aesthetic dimension between human and non-human relationships. Working en plein air, for the exhibition Second Cutting Rachael Catharine Anderson paints intimate portraits of botanical forms, moving between precise observation and atmospheric abstraction.


The second cutting yields the finer growth a field gives up once it's been worked, then seen again. In Second Cutting Rachael Catharine Anderson, Ryan Steadman, and Annika Tucksmith work rural ground, revisiting the familiar to unearth the unseen: plants become portraits, daily life an unfolding story, childhood landscapes psychologically charged.