


In Tucksmith's painting The Creek, a group of teenagers shares a stream with a gaggle of curious deer at twilight. "I think of [animals] as witnesses," Tucksmith explains. "The first animals I started painting were deer. Driving around here it's impossible to go too long without your headlights flashing in their eyes, and then they freeze. It's almost like a hiccup in time, and their eerie lit up eyes are seeing multiple possibilities at once."
Oil on panel
Signed by the artist on reverse
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Annika Tucksmith's oil paintings draw on her rural Hudson Valley childhood, reworking familiar landscapes until something stranger surfaces beneath.


The second cutting yields the finer growth a field gives up once it's been worked, then seen again. In Second Cutting Rachael Catharine Anderson, Ryan Steadman, and Annika Tucksmith work rural ground the same way, revisiting the familiar to unearth the unseen.