



In the painting Amidst, a girl stands alone in a field beneath crimson skies, fiery undertones crackling just below the surface. Built from fine detail and loose, abstract brushwork, the landscape becomes a character in its own right, charged with both wonder and unease. "They are me and not me," Tucksmith explains. "Things that have happened, things that could happen, I've always loved stories."
Oil on panel
Signed by the artist on reverse
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Annika Tucksmith's oil paintings draw on her rural Hudson Valley childhood, reworking familiar landscapes until something stranger surfaces beneath.


The second cutting yields the finer growth a field gives up once it's been worked, then seen again. In Second Cutting Rachael Catharine Anderson, Ryan Steadman, and Annika Tucksmith work rural ground the same way, revisiting the familiar to unearth the unseen.